Connected Voice
Your chest and head voices do overlap, but
they do so in the middle of your range. You need to
be careful of this area, as switching too often between
chest and head voice causes a song to sound disjointed and
unpleasant to listen to. What you want to do is to
visualize your breastbone and head working in
balance, so that all the notes you produce sound blended
and connected.
Thus, as a singer, your goal should be balance and
connectivity between your chest and head voices. You
should be able to move smoothly and seamlessly from the lowest
notes in your range to the highest, without effort. Your
vocal cords will open and close freely through their entire
range of motion, without effort or strain. Unfortunately,
the major barrier to a seamless, connected head and chest voice
is the break, the point at which your voice “sticks” as
you change register.
Your task is not just to find your vocal break—but to
eliminate it. This is very difficult and can take
years. Some singers don’t even bother to connect their
chest and head voices; instead, they incorporate the two
separate voices into their style. Nevertheless, the most
agile singers find that a connection between their two voices
enables them to create music the kind of music of which they’d
only dreamed.
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